moi j'avais l'idée de le mettre à la fin de mon pedalboard...
Mais BOB, c'est une bonne question...

perso j'aime mieux pas de buffer pantoute et utiliser un cablage de basse capacitance (17 pf/pied)

Autre chose mon nouveau pedalboard va utiliser un gros transfo 24volts DC à 10 pieds et + des pédales. Je vais mettre la filtration, la regulation DC 9 volts et autres au pedaleboard. Comme ca j'aurai plus de transfo proche des pédales et de la guitare.

Je connais pas grand chose en électronique mais je comprends ce que ça explique à propos des fuzz, wah et buffer:

Citation:

The Problem - It's a problem that's been around as long as Wah Wah pedals and Fuzz Faces. Here's the scenario: You take your Wah Wah pedal and you plug it into a Fuzz Face (or Fuzz Face clone). Alone, each one sounds great, but when you try to use both the Wah and the Fuzz at the same time, it just isn't happening. In some cases (like with most germanium fuzz's), you get almost no sweep from the Wah Wah pedal. In other cases (like with most silicon fuzz's), you get a loud oscillation that goes up and down in frequency as you move the pedal. Why it happens - Without getting into a lengthy discussion about electronic circuitry, here's a brief explanation of why this happens: Wah pedals - Most inductor-based Wah Wah pedals use the same basic circuit. This includes VOX, Thomas Organ, Jen, Dunlop, and many of the newer boutique Wah pedals such as Teese, Fulltone, Buddha, etc.. Of course, there are many modifications and different quality parts used in these pedals which makes them all unique, but essentially they all adhere the same basic circuit topology. The classic inductor-based Wah circuit has an output stage that is not particularly well suited to drive a load. If the output is loaded down, the result is a very narrow sweep, the low end of the sweep pretty much disappears. While most effects don't load down the signal enough to cause a problem, there's one big exception - the Fuzz Face. FuzzFace - The FuzzFace is notorious for having a very low input impedance. It's so low that it's actually the first guitar effect (that I know of) to feature true bypass. Yes - back in 1966, the designers of the FuzzFace realized that true bypass was required or else the input of the FuzzFace would severely degrade the guitar signal when the effect was bypassed. The Wah + Fuzz Face combination - So when you take a Wah Wah pedal, and plug it into a Fuzz Face, and kick them in at the same time, you're creating the scenario. You have an effect (the Wah) that can't drive a load very well, and you're connecting it directly to the effect (the Fuzz Face) that has the biggest load of all. The result - with low gain Fuzz's, mostly germanium, you get almost no range from the Wah. With high gain Fuzz's, mostly silicon, you get almost no range, along with a howl that changes in frequency as you rock the pedal up and down. Remedies - In order to avoid this scenario from happening, there are a number of things you can do , but unfortunately they all have drawbacks. Here's a list of things that come to mind: Put the Wah after the Fuzz, not before. The problem here is that you end up with a very intense Wah sound, which can be very shrill and deafening to most people. While some people have gotten good results from this, most agree that it's a pretty lousy sound. Put a "clean boost" or "buffer" type of pedal between the Wah and the Fuzz. This cures the problem, but it creates a new one. You see, the Fuzz Face works best with no active circuitry between it, and your guitar's pickups. Any type of active buffer will kill much of the FuzzFace tone and make it sound more like a regular distortion pedal. It also affects the ability to "clean up" the fuzz by rolling back the volume knob on your guitar, one of the greatest features of the FuzzFace. Put a resistor at the input of the FuzzFace to increase its input impedance. This helps to minimize the problem, returning much of the Wah's range and preventing oscillation. This is probably the best of the three remedies listed. But there's one considerable draw back - it takes away from the intensity and sustain of the Fuzz by cutting the input signal. Note - The Foxrox FuzzFoot (part of Captain Coconut and Captain Coconut 2) includes an on-board trimmer potentiometer for using this approach to getting the Wah Wah pedal to sound good with the Fuzz.

Source: http://www.foxroxelectronics.com/Wah%20retrofit%202.html

Est-ce qu'un EQ... genre Empress... me permettrai de sortir du mix pendant les solos sachant que je n'ai pas de marge de manoeuvre sur le volume ?
(sous-entendu en jouant sur les fréquences comme booster les mid ou je sais pas trop quoi...)

Voici la dernière version du mien...

pour moi le meilleur truc pour sortir du mix c'est de decompresser le signal et monter le volume (plus clean et plus fort). T'auras beau ajouter du volume si ca compresse trop tu vas toujours avoir l'impression de ne pas sortir du mix du au manque d'attaque, de dynamique. Si ton signal est très compressé je suis pas sur de l'efficacité d'un EQ.

Bof, il fait la job et il est supposé etre "True-Bypass".

Je suis en train de considérer de m'acheter le TC Electronic Polytune,ça a l'air malade!!!

http://www.youtube.com/watch?v=mGBG2OeayMY

Intéressant le polytune! Un tuner polyphonique!

La petite dernière arrivée hier...

Suhr Koko Boost




Update de mon pedalboard

ca commence à te faire un beau pedalboard JohStro!

c'est un clean boost?

Yes merci !

Oui c'est un clean boost et Mid boost. Mais la facon dont je l'utilise, elle ne fait qu'ajouter du gain pour pour ls passage plus heavy (au besoin) et du Mid pour les lead !
Superbe belle construction. Vive Suhr !

Super ton pedalboard JohStro!

Finalement, est-ce que ça fonctionne à ton goût de booster les mids pour sortir du mix pour les solos?

C'est quoi déjà les fils que tu utilise pour ton board JohStro? Me semble que tu en avait déjà parlé...
Ça me semble être du solide!

J'ai défait mon board hier et la moitié de mes connecteurs george L était lousse!